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Stephen Vider is Assistant Professor of History and Director of the Public History Initiative at Cornell University. His research examines the social practices and politics of everyday life in the 20th century United States, with a focus on intersections of gender, sexuality, race, and ethnicity. His current book project, The Queerness of Home: Gender, Sexuality, and the Politics of Domesticity (forthcoming, University of Chicago Press), traces how American conceptions of the home have shaped LGBT relationships and politics from 1945 to the present.
Vider has also contributed to a range of public history projects. At the Museum of the City of New York, he curated the exhibition AIDS at Home: Art and Everyday Activism (May to October 2017), exploring how activists and artists have mobilized domestic space and redefined family in response to HIV/AIDS, from the 1980s to the present. A Place in the City, a short film he co-directed with Nate Lavey for the exhibition, has since been featured in film festivals and programs in New York, Los Angeles, Toronto, and Istanbul. Vider was also co-curator of the exhibition Gay Gotham: Art and Underground Culture in New York (October 2016 to February 2017) and co-author of an accompanying book, a Lambda Literary Award finalist. He has also published popular articles in the New York Times, Avidly, Time, and Slate, among other places.
Before coming to Cornell, Vider was a Visiting Assistant Professor at Bryn Mawr College and a postdoctoral fellow in the history of sexuality at Yale University.
- American Studies Program
- Lesbian, Gay, Bisexual and Transgender Studies Program
The Queerness of Home: Gender, Sexuality, and the Politics of Domesticity After World War II, under contract with University of Chicago Press
“Public Disclosures of Private Realities: HIV/AIDS and the Domestic Archive,” Public Historian 41 no. 2 (2019), 163-189
“Lesbian and Gay Marriage and Romantic Adjustment in the 1950s and 1960s United States,” Gender & History 29, no. 3 (2017), 693-715
“The Ultimate Extension of Gay Community’: Communal Living and Gay Liberation in the 1970s,” Gender & History 27, no. 3 (2015), 865-881
“‘Oh Hell, May, Why Don't You People Have a Cookbook?’: Camp Humor and Gay Domesticity,” American Quarterly 65, no. 4 (2013): 877-904 (Winner of the Crompton-Noll Award, GL/Q Caucus of the Modern Language Association, January 2015)
“Sanford Versus Steinberg: Black Sitcoms, Jewish Writers, and the 1970s Ethnic Revival,” Transition 105 (2011): 21-29
“What Happened to the Functional Family?: Defining and Defending Alternative Households Before and Beyond Same-Sex Marriage,” The Intimate State: Gender, Sexuality, and Governance in Modern U.S. History, edited by Margot Canaday, Nancy Cott, and Robert Self, forthcoming
“Domesticity,” Routledge History of American Sexuality, edited by Kevin P. Murphy, Jason Ruiz, and David Serlin (New York: Routledge University Press, forthcoming 2019)
“Consumerism,” Routledge History of Queer America, edited by Don Romesburg (New York: Routledge, 2018), 344-358
“’Nobody’s Goddamn Business But My Own’: Leonard Frey and the Politics of Jewish and Gay Visibility in the 1970s,” in The Boys in the Band: Flashpoints of Cinema, History, and Queer Politics, edited by Matt Bell (Detroit: Wayne State University Press, 2016), 190-215
Co-author, Gay Gotham: Art and Underground Culture in New York, with Donald Albrecht, Skira Rizzoli and the Museum of the City of New York, 2016 (Finalist, 2017 Lambda Literary Award, LGBTQ Nonfiction)
“The Makings of Home,” essay in exhibition catalogue for On the Domestic Front: Scenes of Everyday Queer Life, Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY, curated by James Saslow, August to October 2015